The table stands are on the board secured by a screw. However, this appears to be a little uncomfortable. Other than the microphone’s tilt and tilt, there are no options for adjustment. Because of the 3/8-inch thread, you can effortlessly use swivel arms and tripods from other manufacturers that work with the microphone. The microphone is all you need. Unfortunately, pop protection or pop filter like the Rode NT-USB isn’t included.
In the main EPOS B20, in principle, EPOS B20 can be used with no software and is a great experience. If you’d like a few more flexibilities, download EPOS Gaming Suite. EPOS Gaming Suite for free. It gives you side tone noise gate and noise cancellation, among others, should you wish to delve a bit more into tuning; however, as I’ve said, the program is not essential, and you could perform very well without it.
The condenser microphone is equipped with three microphone capsules that cover the frequency range of 50 to 20,000 Hz and has a maximum sensitivity of 37 DVB/PA. It can record at 48 kHz/24-bit. Test recordings from the beginning demonstrate that the B20 produces pretty comfortable, well-balanced, natural-looking recordings of vocals. The ideal position for your mouth is situated between 15 and 20 centimeters from the microphone. However, the B20 also produces an impressive figure at longer distances.
The issue lies in the cost. Similar alternatives comparable to EPOS B20 can be had at a much lower price (around 150 euro), and some have better options (pop safety). It is only a matter of time before the cost of street sales for the B20 will able to fall below these levels quickly; otherwise, EPOS is likely to have difficulty standing out against established competitors despite the excellent quality of the product, mainly as there is the possibility of improvement in certain areas and some unique selling points aren’t present.