Epos B20 Streaming Microphone Test

The table stands are on the board secured by a screw. However, this appears to be a little uncomfortable. Other than the microphone’s tilt and tilt, there are no options for adjustment. Because of the 3/8-inch thread, you can effortlessly use swivel arms and tripods from other manufacturers that work with the microphone. The microphone is all you need. Unfortunately, pop protection or pop filter like the Rode NT-USB isn’t included.

Alongside the 3.5mm headphone connector, the B20 comes with four controls accountable for volume and gain, mute, and direction pattern selection. It’s a pleasure to select four directional patterns at your disposal, including Cardioid stereo, eight (bidirectional), and Omnidirectional. So, almost every application area, including group recording to solo, is covered. It is also interesting that control for gain and volume is neither an end nor a grid. It is, therefore, difficult to duplicate settings should you need to change something.

In the main EPOS B20, in principle, EPOS B20 can be used with no software and is a great experience. If you’d like a few more flexibilities, download EPOS Gaming Suite. EPOS Gaming Suite for free. It gives you side tone noise gate and noise cancellation, among others, should you wish to delve a bit more into tuning; however, as I’ve said, the program is not essential, and you could perform very well without it.

The condenser microphone is equipped with three microphone capsules that cover the frequency range of 50 to 20,000 Hz and has a maximum sensitivity of 37 DVB/PA. It can record at 48 kHz/24-bit. Test recordings from the beginning demonstrate that the B20 produces pretty comfortable, well-balanced, natural-looking recordings of vocals. The ideal position for your mouth is situated between 15 and 20 centimeters from the microphone. However, the B20 also produces an impressive figure at longer distances.

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We found the stereo and cardioid pattern best, which allows an unmistakable and clean sound while allowing very little background noise. Omni-directional and bi-directional settings aren’t too good either; however, you must be in a quiet space, or the microphone can pick up more background noise because of the relatively high pickup range. But, overall, it’s an excellent and reliable performance.

The issue lies in the cost. Similar alternatives comparable to EPOS B20 can be had at a much lower price (around 150 euro), and some have better options (pop safety). It is only a matter of time before the cost of street sales for the B20 will able to fall below these levels quickly; otherwise, EPOS is likely to have difficulty standing out against established competitors despite the excellent quality of the product, mainly as there is the possibility of improvement in certain areas and some unique selling points aren’t present.

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